Book review: Copyright law and derivative works
“ There is nothing new under the sun ”. In copyright law, this declaration from the Book of Ecclesiastes t ranslates into an awkward tension between the need to limit slavish copying (to prevent free-riding), on the one hand, and the need to allow a degree of derivative creation, on the other (to avoid stifling creativity). But where do we draw the line? This is the fraught question that Omri Rachum-Twaig addresses in his recent book, “Copyright law and derivative works ”. The author revisits the right to make derivative works through the lenses of cognitive psychology and genre theory, both of which study creativity. The author argues that copyright law has much to learn from these two disciplines, both in the way that they understand creativity and how to best encourage it. "Why these two fields", you ask? Perhaps, according to the author, it is because each of them investigates a different aspect of creativity: cognitive psychology focuses on creativity as a process, whi...